Golden Globe nominations were announced this morning. Here are the lucky ones with my picks bolded…those with stars, I haven’t had the pleasure to watch:
BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES * DRAMA
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| PATRICIA ARQUETTE | MEDIUM |
| EDIE FALCO | THE SOPRANOS* |
| EVANGELINE LILLY |
LOST |
| ELLEN POMPEO | GREY’S ANATOMY |
| KYRA SEDGWICK | THE CLOSER |
Kyra Sedgwick is the reason that I don’t watch The Closer, I just found her accent to be a bit too grating for my tastes. I wouldn’t say that Pompeo’s performance as the title character in Grey’s Anatomy is bad, but I guess it’s the character itself I don’t much care for. It’s all wispy, staring off into space, not answering questions, which guy’s head am I going to mess with today…it’s not Ellen, it’s just Meredith that frustrates me. While I haven’t watched a heck of a lot of Medium, what performances I’ve seen have been very well done, but not award-winning. Unfortunately, I haven’t watched The Sopranos in a couple of years, so I can’t really comment on Falco’s performance. I’ve got to give this one up to Kate…and it’s not just that I’m biased…Lilly did a tremendous job during the short run we’ve seen this season (and it looks like she’s got a lot of good stuff ahead of her after the break.
| BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES * DRAMA |
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| PATRICK DEMPSEY | GREY’S ANATOMY |
| MICHAEL C. HALL | DEXTER* |
| HUGH LAURIE |
HOUSE |
| BILL PAXTON | BIG LOVE* |
| KIEFER SUTHERLAND | 24 |
Dempsey plays the cocky doctor to perfection, but, again, I don’t see award written on it. Kiefer does a great job at yelling at terrorists and threatening to cut out people’s eyes, but I think we should look for him to win next season. I haven’t caught Dexter or Big Love. This one goes to Laurie, thought, hands down. He’s the reason this show works, and it works magically.
BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES *COMEDY OR MUSICAL
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|
| MARCIA CROSS | DESPERATE HOUSEWIVES |
| AMERICA FERRERA | UGLY BETTY |
| FELICITY HUFFMAN |
DESPERATE HOUSEWIVES |
| JULIA LOUIS-DREYFUS | THE NEW ADVENTURES OF OLD CHRISTINE |
| MARY-LOUISE PARKER | WEEDS* |
Honestly, I see this one going two ways. Cross has done a brilliant job this season of capturing Bree’s perfectionist Martha Stewart-esque homebody, trying to start a new marriage with a man who obviously has a lot to hide. At the same time, Huffman’s performance in the hostage situation at the grocery store alone deserves the award. I’ve got to go with her. Ferrera and Louis-Dreyfus both do commendable jobs in their respective parts, but they are far outshone by the ladies of Wysteria Lane. Again, haven’t seen Weeds, so I can’t comment on that.
BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES * COMEDY OR MUSICAL
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| ALEC BALDWIN | 30 ROCK |
| ZACH BRAFF | SCRUBS |
| STEVE CARRELL |
THE OFFICE |
| JASON LEE | MY NAME IS EARL |
| TONY SHALHOUB | MONK |
Carrell, no question. I think I can say the same thing for all of the other nominees: they own their roles and play them flawlessly, with Jason Lee standing out from the bunch. But Steve Carrell’s performance is consistent, consistent, consistently the funniest performance on television.
BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
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| EMILY BLUNT | GIDEON’S DAUGHTER* |
| TONI COLLETTE | TSUNAMI, THE AFTERMATH* |
| KATHERINE HEIGL |
GREY’S ANATOMY |
| SARAH PAULSON | STUDIO 60 ON THE SUNSET STRIP |
| ELIZABETH PERKINS | WEEDS* |
Again, I’m only covering shows that I’ve actually watched, and that pretty much leaves Grey’s and Studio 60. Paulson brings the only nomination for one of the best shows of the new season, and it’s a great performance. But Heigl’s performance in last season’s finale was phenomenal.
BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
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| THOMAS HADEN CHURCH | BROKEN TRAIL* |
| JEREMY IRONS | ELIZABETH I* |
| JUSTIN KIRK | WEEDS* |
| MASI OKA |
HEROES |
| JEREMY PIVEN | ENTOURAGE* |
Heroes is the only one in this list that I’ve watched. Go figure. But, man, I love me some Hiro. He is the most relatable hero on the show, and, knowing Oka’s background, he’s every geek’s dream come true.
BEST TELEVISION SERIES * COMEDY OR MUSICAL
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| DESPERATE HOUSEWIVES | |
| ENTOURAGE* | |
| THE OFFICE |
|
| UGLY BETTY | |
| WEEDS* | |
I’m still not sure why Desperate Housewives falls into the comedy genre any more than shows like Boston Legal or Grey’s Anatomy, but apparently it does. Regardless, The Office is consistently hilarious, and I am always pumped when I know it’s on, and severely depressed when I know it’s not. It deserves this award…again.
BEST TELEVISION SERIES * DRAMA
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| 24 | |
| BIG LOVE* | |
| GREY’S ANATOMY |
|
| HEROES |
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| LOST | |
You know, I’ve really gone back and forth on this section. The first six weeks of Lost pushes it out of the running, no question. The nomination was a nice gesture. 24 is a heckuva ride and a fantastic show, but I couldn’t in good faith put it as the best drama on television. So, for me, it really comes down to Grey’s Anatomy and Heroes. And, I’ve gotta say, Grey’s just edges out on the competition, and the reason is something I’ve repeated a lot here: consistency. It is a great show, and it is a great show every single episode. We constantly see the characters in situations that are completely unlike anything else on TV: situations where the characters actually have to change. They move forward in their story arc, not because that is what the story demands, but because that is who they are…that is where the decisions that they have made, decisions that were completely in character and completely rational at the time they were made, take them. It’s a show that I seem to overlook every time I’m talking about good television, but when it’s on, it brings me back in. It’s the best show on TV.
FINAL TALLEY
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| ABC | 12 |
| NBC | 9 |
| HBO | 8 |
| SHOWTIME | 4 |
| FOX | 3 |
| BBC | 1 |
| TNT | 1 |
| USA | 1 |
| AMC | 1 |
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