12/06/2007
Posted by Drew as Other Shows at 4:58 PM UTC
The New York Times interviewed some of today’s leading writers about the controversial ‘Sopranos’ finale Sunday night. I think it’s very interesting to see what writers think of their peers’ work.
Damon Lindelof – Lost – “I’ve seen every episode of the series. I thought the ending was letter-perfect…My heart started beating. It had been racing throughout the last scene. Afterward I went to bed and lay next to my wife, awake, thinking about it for the next two hours. And I just thought it was great. It did everything well that ‘Godfather III’ did not do well…If you feel that everybody is going to hate it anyway, no matter what you do, there’s a certain liberation in writing it.”
Carlton Cuse – Lost – ““There was immediate blowback for me. A sense of fear ran through my veins, thinking that we are going to be in this position…we know the end is coming in 48 short episodes.”
Doug Ellin – Entourage – “The show just ended, and I’m speechless. I’m sure there is going to be a lot of heated discussion, but that’s David Chase’s genius. It’s what made ‘The Sopranos’ different from anything that’s ever been on TV. It invented a whole new approach to storytelling that isn’t afraid to leave things open-ended, and now the biggest open story line in the history of television.”
David Shore – House – “Obviously he wants us to speculate on what it all means. Obviously that’s what we’re all doing.”
David Milch – NYPD Blue and Deadwood - “It was a question of loyalty to viewer expectations, as against loyalty to the internal coherence of the materials. Mr. Chase’s position was loyalty to the internal dynamics of the materials and the characters.”
Chuck Morre – Two and a Half Men – “This is what you get when you let a writer do whatever he wants…People just finished watching that show and immediately talked about it for a half-hour. That’s just wonderful. What more could you want as a writer?”
Tim Kring – Heroes – “I have to admit that as soon as it ended, I immediately went there. I don’t have an ending for the series yet. I put myself years in the future thinking about what you do when you have viewers with these sorts of expectations. And I think you just have to be true to what you were originally trying to say…the storytelling in the finale a bit disjointed, so that you lost the cause and effect of some scenes…This was a show that always did everything its own way,”
3 Responses to: TV writers give their reactions to the ‘Sopranos’ finale…
Susan
June 12th, 2007 at 11:41 pm
I don’t agree with these writers. I think its a cop-out to make the viewers make up their own ending. Its as if Chase just didn’t do his job as a writer. He didn’t address the age-old question – does a gangster just get away with being a gangster or does he get what’s coming to him? Other mobster shows have also fell short of answering this question – like Godfather III (which is why no one likes that movie). So, it was disappointing. Its the job a writer to actually write an ending if you are writing a story. Any good story telling knows that.
jf
June 13th, 2007 at 9:53 am
What happened when Lt. Zach Garber (the peerless Walter Matthau) walked back in to Longman’s apartment in The Taking of Pelham 123? Where did Charnier go when Popeye Doyle chased him into “that room” at the end of The French Connection? Did Mr. White shoot Mr. Orange at the end of Reservoir Dogs, or did the cops shoot Mr. White first? Does Deckard ever realize he’s a replicant after Blade Runner ends?
We. Don’t. Know. Still, there are plenty of possibilities that I, as the viewer, relish resolving on my own. These types of speculative conclusions exemplify what makes these films (and similar cable programs) appealing; lack of predictability fueled Sopranos authenticity for almost a decade.
I ramble at length: http://inspireaction.mindandmedia.com/
Drew
June 13th, 2007 at 5:52 pm
Very well said, jf. I totally agree.
At the same time, like I alluded to in my other Sopranos post, if you take the sum of the parts, you can deduce that Tony was shot. The deal about not hearing the shot that kills you and the obvious allusion to the bathroom scene in Godfather…yeah, he was capped.
I normally don’t like the “figure it out yourself” endings, but this one I enjoyed.
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